2011

Lauren Kroiz, Cocktails, Composites, and 'Ellis Island Art': The Struggle for an American Modernism. University of California Press, forthcoming.

Ellen Landau, Mexico and American Modernism. University of California Press, forthcoming.

Katherine Manthorne, "Made in New Mexico: Modern Art & the Movies, 1910s."

Kelly Quinn, Modern Architecture on the Colorline: A Critical Biography of Hilyard R. Robinson. University of Minnesota Press, forthcoming.


2010

Robin Veder, The Living Line: Artistic Bodies and Embodied Art, 1890-1930. University of Pennsylvania Press, forthcoming.

Kenneth Haltman, critical translation of The Evolution of Taste in American Collecting, by Rene Brimo. Seeking publisher.

Tom Folland, "Rauschenberg's Queer Modernism: The Early Combines and Decoration." Art Bulletin, December 2010.


2009

Ezra Shales, Made in Newark: Cultivating Industrial Arts and Civic Identity in the Progressive Era. Rutgers University Press, 2010.

Kim Theriault, Rethinking Arshile Gorky. Pennsylvania State University Press, 2009.

Phoebe Wolfskill, "Caricature and the New Negro in the Work of Archibald Motley, Jr. and Palmer Hayden." Art Bulletin, September 2009.

Course Development Grant: Lana Ann Burgess, History of African-American Art. University of South Carolina.


2008

Betsy Fahlman, New Deal Art in Arizona. University of Arizona Press, 2009.

Patricia Hills, Painting Harlem Modern: The Art of Jacob Lawrence. University of California Press, 2009.

The Newark Museum, Constructive Spirit: Abstract Art in South and North America, 1920s-50s, 2010.

Lois Rudnick, Cady Wells and Southwestern Modernism. Museum of New Mexico Press, 2009.


2007

Debra Bricker Balken, Harold Rosenberg. University of Chicago Press, forthcoming.

Kirsten Hoving, Joseph Cornell and Astronomy: A Case for the Stars. Princeton University Press, 2009.

Elizabeth Lee, "The Grotesque Body Meets Modern Medical Science: Ivan Albright's Paintings in Post-WWI America."

Justin Wolff, Thomas Hart Benton and the Arts of Life in America: A Cultural Biography. Farrar, Straus, and Giroux, forthcoming.


2006

Victoria Grieve, "John Cotton Dana and the New Museum Movement," Mid-Atlantic Almanack.

Ann Harlow, AMB and AMB: The Artistic Lives of San Francisco's Anne Bremer and Albert Bender.

Pennsylvania Academy of the Fine Arts, Art in Chicago: Resisting Regionalism, Transforming Modernism, 2007.


2005

Samantha Baskind, "Howard Chandler Christy’s De-Allegorized The Signing of the Constitution of the United States and the Place of American History Painting."

Jay Bochner, An American Lens: Scenes from Alfred Stieglitz’s New York Secession. MIT Press, 2005.

Mark Cooper and Lisa Sjostrom, Making Art Together: How Collaborative Art-Making Can Transform Kids, Classrooms, and Communities. Beacon Press, 2006.

Maren Stange, Photography and the End of Segregation.


2004

The Adirondack Museum, Wild Exuberance: Harold Weston’s Adirondack Art. Syracuse University Press and the Adirondack Museum, 2005.
 http://www.adkmuseum.org/

Bill Anthes, Native Moderns. Duke University Press, 2006.

Finis Dunaway, Natural Visions: The Power of Images in American Environmental Reform. University of Chicago Press, 2005.

Theresa Leininger-Miller, Sculpting the New Negro: The Life and Work of Augusta Savage (1892-1962).

Alexandra Griffith Winton, “Warmth and Weft: The Modernist Textiles of Dorothy Liebes.” Modernism, September 2004.


2003

Marie Clifford, Built By Beauty: Helena Rubinstein's Art Collection, Fashion, and the American Reception of Modern Art. Forthcoming, University of Pennsylvania Press.

Janice M. Coco, John Sloan's Women: A Psychoanalysis of Vision. University of Delaware Press, 2004.
http://www2.lib.udel.edu/udpress/johnslo.htm

Elvehjem Museum of Art, With Friends: The Art and Lives of Six Magic Realists, 1940-1965. Exhibition catalogue, 2005.
http://www.lvm.wisc.edu

A. Joan Saab, For the Millions: The Transformation of American Art. University of Pennsylvania Press, 2004.

Kristina Wilson, "The Intimate Gallery and the Equivalents: Locating Spirituality in the 1920s Work of Alfred Stieglitz." The Art Bulletin, December 2003.

Rebecca Zurier, Picturing the City: Urban Vision and the Ashcan School. University of California Press, 2006.


2002

Memorial Art Gallery, Leaving for the Country: George Bellows at Woodstock. Exhibition catalogue, 2003.
http://mag.rochester.edu/

Montclair Art Museum, Conversion to Modernism: The Early Works of Man Ray, by Gail Stavitsky and Francis M. Naumann. Rutgers University Press, 2003.
http://www.montclairartmuseum.org/

Karen Quinn, "Edward Weston in Los Angeles."

Sue Taylor, "The Artist and the Analyst: Jackson Pollock's Stenographic Figure." American Art, Fall 2003.

James Wechsler, "Embracing the Specter of Communism: The Art and Activism of Hugo Gellert."


2001

Vivien Green Fryd, Art and the Crisis of Marriage: Edward Hopper and Georgia O'Keeffe, University of Chicago Press, 2002.
http://www.press.uchicago.edu/cgi-bin/hfs.cgi/00/14415.ctl

Julia Foulkes, Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey, University of North Carolina Press, 2002.
http://uncpress.unc.edu/books/T-5207.html


2000

Rachael Arauz, "Naming American Modernism: The Semiotics of Charles Demuth's Early Poster Portraits."

Judith Bookbinder, Boston Modern: Figurative Expressionism As Alternative Modernism. University of New Hampshire Press of University Press of New England, 2005.

Patricia Hills, Modern Art in the USA: Issues and Controversies of the 20th Century. Prentice Hall, 2000.
http://vig.prenhall.com/catalog/academic/-
product/1,4096,0130361380,00.html

Diana Linden, "Charles Alston's Harlem Hospital Murals: Cultural Politics in Depression Era Harlem." Prospects, Vol. 26, 2002.


1999

Wanda M. Corn, The Great American Thing: Modern Art and National Identity 1915-1935. University of California Press, 1999.
http://www.ucpress.edu/books/pages/8013.html

Virginia M. Mecklenburg, "Edward Hopper's Houses." The Magazine Antiques, November 1999.

University Gallery, University of Delaware, Line Dance: Abraham Walkowitz Drawings of Isadora Duncan. Exhibition catalogue, October 2000.
http://www.museums.udel.edu/art/index.html


1998

Avis Berman, editor, The Artist's Voice: Talks with Seventeen Modern Artists, by Katharine Kuh. Da Capo, 2000.

Randall R. Griffey, "Marsden Hartley's Lincoln Portraits." American Art, Summer 2001.
http://www.nmaa-ryder.si.edu/ journal/v15n2/griffey.html


1997

Laurette E. McCarthy, "Modernists on Tour: A New Look at a Historic Show." Archives of American Art Journal, Vol. 37, Nos. 3&4, 1997 (issued 1999).

Sordoni Art Gallery, Jimmy Ernst, Shadow to Light, Paintings 1942-1982. Exhibition catalogue, October 1997.


1996

Helen A. Harrison, "Arthur Dove and the Origins of Abstract Expressionism." American Art, Spring 1998.
http://www.nmaa-ryder.si.edu/journal/v12n1/v12n1harrison.html

Eliza Jane Reilly, "Elsa von Freytag-Loringhoven." Woman's Art Journal, Spring/Summer 1997.